La Bohème

by Ruggero Leoncavallo

February 9th, 2020 / 2pm show

Come experience “the other Bohème” as told through the eyes of Musette and Marcello.


Marcello-David Gustafson

Rodolfo-Mark Hockenberry

Schaunard-Michael Tallino

Barbemuche-David Morden

Visconte Paolo/Colline-Robin White

Gaudenzio/Durand-Barbara Pritchard

Il Signore del primo piano/Un Becero-Jeff Myrmo

Musette-Julia Powers

Mimi-Elizabeth Wells

Eufemia-Diana Olivares

Christmas Eve, 1837, Paris. A room on the second floor of the Café Momus. Although Gaudenzio, the proprietor of the Café Momus is lecturing Schaunard because his Bohemian friends are spending no money while using his premises, Schaunard promises that there is money to be made that evening, when a celebration he is hosting will bring many customers. The guests arrive: Rodolfo, a poet (“with clothes and a purse to prove it”), Marcello, a painter (who has had the nerve to paint nude models in the café!), and Colline, a philosopher who pulls a Chinese dictionary and an Iliad in Greek from his coattails; they are joined by Eufemia, Schaunard’s mistress, and the flower girl, Mimì (who is Rodolfo’s). Mimì has brought her friend Musette, with whom Marcello falls in love almost immediately. Musette sings a lovely song about her friend (“Mimì Pinson la biondinetta”), and charms everyone. The bill remains to be paid at the end of the party, however, and circumstances are threatened when no one can do so. A well-to-do stranger who apparently wants to join in with this Bohemian circle seizes this opportunity and offers to pay. Schaunard will not hear of it, and only will accept the money after winning it “legitimately” at a game of billiards. He does so, amid the cries of “Christmas!” by the guests.

The courtyard of Musette’s house in the Rue Bruyère. It is evening, and the concierge Durand is tossing all of Musette’s possessions out into the street. She has been living off the attentions of a rich banker, who has now had enough of her unfaithfulness to him. It does not deter the Bohemians from having a celebration that evening, out there in the courtyard, with Musette’s furniture (including a pianoforte, upon which Shaunard performs). During the party, Mimì decides to leave Rodolfo for a certain Count Paolo, and does so quietly, as the neighbors threaten the noisy partygoers, finally chasing them all off.

October, 1838; in Marcello’s attic room. Marcello and Rodolfo are attempting to find work to raise some money, but are unsuccessful. The happy bohemian life is turning into a very serious affliction. Musette decides to leave Marcello for another rich admirer, and although Mimì tries to reconcile herself to Rodolfo, she is angrily rebuffed by him, and the two men are left alone, starving, jealous, bitter and resentful. In a heartbreaking aria, “Testa adorata,” Marcello weeps for his loss.

Rodolfo’s attic room, Christmas Eve, 1838. Becoming poorer and poorer, it is no longer a question of posing insouciantly for those in established society: their deprivations are severe, in the depths of winter. Marcello and Rodolfo are eating their Christmas meal, such as it is, and have invited Musette to join them. However, it is Mimì who appears, ill and dying of consumption. Her rich lover has abandoned her, and they have thrown her out of the hospital ward, as she had no means to pay. Finally, Musette does arrive, and seeing the horrible circumstances under which they are all suffering, she pawns all her jewels to pay for a doctor. For Mimì, however, it is too late. As the bells toll for Christmas morning, Mimì sits up, and murmuring “Christmas…” falls back and dies.